LEON CHRISTIAN, School Director
Electric Guitar, Acoustic / Fingerstyle Guitar, Classical Guitar, Jazz Guitar, Electric Bass Guitar, Ukulele, Mandolin
Songwriting, Composition, Music Production & Recording, Improvisation, Music Theory, Youth Rock Band Coaching
Hailed as “an excellent guitarist” (David Brandon) and “very talented” (John Sutherland), Leon Christian is celebrated for charismatically and virtuosically bringing to life a broad repertoire of musical styles. Whether playing the earliest scores transcribed for the classical guitar or even the most contemporary progressive rock compositions on electric, his engaging performances entertain and delight audiences of all sizes and ages.
An accomplished classical guitarist, Leon regularly performs concerti with Northwest orchestras and in solo recitals. He was selected to be the first guitar soloist to perform with the Federal Way Symphony under Maestro A. Brian Davenport, performing Joaquín Rodrigo’s "Concierto de Aranjuez" in 2013. Leon also enjoys performing in jazz, blues, and rock styles. His original rock bands have headlined tours across the West Coast and the Pacific Northwest and he has recorded and performed with Rock-and-Roll-Hall-of-Fame artists such as Sam Andrew of Big Brother and the Holding Company (Janis Joplin), Roger Fisher and Mike Derosier of Heart, and blues legend Jerry Miller (one of the top 100 guitarists of all time) of Moby Grape. As a studio recording session guitarist, his playing can be heard on independent films, TV commercials, and studio albums.
Leon’s musical studies started at age four on classical piano. Inspired by the Beatles, he switched to the guitar at age 12 and continued on to attend the University of Puget Sound as a classical guitar performance major. He studied with many international masters of the instrument, including Douglas Rice Jr., David Russell, David Brandon, and William Kanengiser. Leon was also among 24 guitarists selected from around the world to study in the prestigious international Christopher Parkening Master Class. Recognized by his peers, Leon was voted to be one of six guitarists to perform in the annual public recital, representing the Master Class with Mr. Parkening in attendance. This honor was bestowed upon Leon for three consecutive years and he remains a close friend of Parkening to this day.
Leon holds the position of Director of the Federal Way School of Music, guitar instructor and band director at Annie Wright Schools, and has taught guitar for over 25 years, maintaining a successful and high-demand private guitar studio in the Puget Sound area. A strong supporter of music education, he is actively involved in local school music programs, music outreach programs for underprivileged children, and leads masterclasses and music educational clinics in the Seattle-Tacoma area. Currently, Leon performs regularly in classical concerts and is guitarist, lead songwriter, and producer in his original progressive rock project. In his spare time Leon enjoys body building, riding motorcycles, psychology, horror films, literature, and chess.
STEVE LYNCH, School Founder
Electric Guitar, Acoustic Guitar
Songwriting, Music Production & Recording
Steve Lynch was a founding member of the group Autograph in the mid-80's and sold over 5 million records worldwide, including the platinum-selling album "Sign In Please". Their hit single "Turn Up the Radio" reached No. 29 on the Billboard Hot 100 and Steve's work on this track helped earn him "Guitar Solo of the Year" honors from Guitar Magazine in 1985. Autograph appeared in several movie soundtracks, television shows, and toured with artists including Van Halen, Motley Crue, Heart, Aerosmith, Ronnie James Dio, Bryan Adams, and Whitesnake, before disbanding in 1989. Steve reformed the new Autograph in 2014 and they are currently performing on an active international touring schedule and are busy recording their next album.
Steve is known as the "Two-Handed Guitarist" for his innovation of two-handed multi-fingered tapping technique, which he still teaches today. Perhaps the most elaborate recorded example of the technique is the unaccompanied instrumental track "Hammerhead", from Autograph's second album, "That's the Stuff".
Beginning as a bass player, Steve was inspired to transition to guitar the day Jimi Hendrix passed away. He began studying music theory and jazz technique with Don Mock, who was then an instructor at West Seattle Music. Mock moved to Los Angeles to become one of the founding instructors of the Guitar Institute of Technology and invited Steve to become one of GIT's first students that same year. Steve became one of the first graduates of the Musicians Institute in Los Angeles, California. He is currently endorsed by DBZ guitars.
Steve has written columns and appeared in Guitar World, Guitar for the Practicing Musician, Guitar Player, and Musician magazines as well as other international music magazines. He has also written three books and has an instructional video (REH Video's "Steve Lynch - The Two-Handed Guitarist") displaying his double-handed playing technique and has taught over 300 clinics on advanced guitar techniques in 18 countries. After returning to Seattle and having over 20 years of experience teaching guitar privately in the South King County area, Steve founded the Federal Way School of Music in 2006 and remains on staff as guitar instructor, when not on tour with Autograph.
Jean Balogh is a versatile flutist who performs in styles ranging from classical music to rock. As a student, she picked out heavy metal guitar solos by ear on her flute, inspired by popular flutists like Ian Anderson (from the progressive rock band Jethro Tull). She is equally influenced by classical performers including Jean Pierre Rampal, Emmanuel Pahud, and composer/performer Ian Clarke. She enjoys performing in chamber groups and flute ensembles and also explores various folk and ethnic playing styles including Celtic flute.
In addition to classical standards, Jean loves to incorporate popular music in her student's flute studies, including music from video games, anime, film scores, rock, metal, and pop. In her lessons, she inspires kids to be bold in the art of performing and in the process, improving their confidence. She also instills in every student that music is not only a passion, but that it also changes lives. Jean teaches in a creative, positive, and encouraging style and students can expect to have fun as well as work hard. She has the commitment that no student should ever feel that they can't achieve their goals. To facilitate those goals, lessons include solo as well as ensemble work, group lessons that include games like music symbol twister and scavenger hunts, workshops with other local artists, and ensemble performances at local places.
Jean started playing flute in grade school and in high school was selected for all-state band. She decided that music would be her lifelong passion and went on to receive her Bachelor of Arts in Music at Washington State University. Jean has over ten years experience as a private flute instructor and two additional years working with preschool, elementary, and junior high aged children. Throughout her career, Jean has prioritized giving back to her community. As the Education Program Assistant for the Federal Way Symphony, Jean helps facilitate programs to help give needy kids the opportunity to study music. Jean enjoys performing at local places including at her church, playing and singing with the worship band and choir, playing in pit orchestras in musicals, and sponsoring student-led flute ensembles at cafes and markets. Jean loves visiting nature, hiking, swimming, watching movies, and hanging out with her kids.
DIZNEY MUSIC STUDIO
Violin, Viola, Cello, Piano (Suzuki & Traditional)
Anita Dizney uses the "mother tongue" approach to teach violin, viola, and piano. She believes that every person can learn to make music if they are taught in the same way they learned how to walk and talk. In the case of young children, parents attend the lessons with their child and reinforce home practice sessions with activities like playing recordings of the songs the child is learning. Children learn one-on-one with Anita in their private lesson, then come back later in the week for group class, where they learn through a combination of peer observation and class instruction.
Mrs. Dizney has over 15 years teaching experience and her teaching activities have included the Suzuki Talent Education Method at the Japan-Seattle International Suzuki Institute, teacher workshops and seminars at the Suzuki Festival in Ellensburg, classroom teaching, coaching at local schools for student contests, and teaching private and semi-private lessons to over 50 students a week. She loves teaching music and accepts students of all ages, specializing in lessons for very young children.
Anita comes from a very musical family, one of five children who are all musicians. Mrs. Dizney's husband taught band and choir in Oregon public schools before meeting Anita in the Air Force and Anita's children, Janet Killmer and Richard Dizney, are also music teachers. Her previous musical activities include playing in several orchestras including the Trinity Baptist Orchestra, the Boeing Orchestra, the Federal Way Philharmonic, pit orchestras for musicals in high school and college, and in various string quartets and chamber ensembles. When not doing something musical, Anita enjoys reading, sewing, and spending time with grandchildren, family, and friends.
Richard Dizney teaches beginning to intermediate students on cello, whether they are grade-school-aged kids, adults, or even retirees. In 2013, Richard joined Dizney Music Studio as a cello instructor. He believes that the key to success in music is first the understanding that music is a language and that the cello, or any other instrument, is a tool used to express that language; second, that it is never too late in life to start learning a new language like music, or to begin developing the skills needed to express this language. Lessons are directed with the following goals: building the student’s musicianship and technical skills on their instrument, building on the foundation set in earlier lessons, and guiding the student according to their musical goals. Richard encourages all students by saying "learning to play an instrument can be challenging, but it is also fun!"
Richard’s musical experiences started with tutelage from his mother, violinist Anita Dizney. He studied trombone in grade school, followed shortly by piano. He grew to love classical music by listening to the radio and recordings from the library and became a prolific composer during his teenage years. Richard discovered his love of playing the cello at the age of 19, which quickly joined the piano as one of his two favorite instruments in performance. He played in the Trinity Baptist Orchestra for six and a half years, where he also arranged and composed for the orchestra. Richard has performed with string quartets, various choirs, and toured the country with a men’s a capella group on a variety of stages ranging anywhere from churches to rooftops to opening senate sessions in capitol buildings.
Drum Set (Rock, Jazz, Latin), Snare Drum, Hand Drumming (Djembe, African Drums)
Trombone, Euphonium (Baritone), Trumpet, Horn, Piano, Organ, Keyboard
Composition, Songwriting, Music Production & Recording, Film & Video Game Scoring, Improvisation, Music Theory, Jazz Studies
Willow Goodine has played music for over 30 years and is influenced heavily by jazz and improvisational music. Willow composes and arranges original music that has been played by professional orchestras including the Seattle Symphony and Seattle Rock Orchestra and also has movie credits on IMDb for scores he created, conducted, and produced professionally. He also orchestrates music for west coast theaters and various northwest orchestras.
Currently, Willow is keyboardist and songwriter in his original Seattle-based jazz/funk/groove fusion band, Swindler. Willow plays multiple keyboards in the group and has developed an arsenal of sonic weapons and keyboard wizardry and provides textural backdrops, menacing funky clav riffs, percussive organ, and punchy Rhodes. He also composes and arranges originals and mixes audio for the band. Swindler follows an extensive touring schedule across the West Coast, Canada, and Alaska and performs regularly in the Puget Sound area.
Starting with piano as his first instrument, Willow went on to study trombone in college and received his Bachelor of Music in Composition from the University of Maine in 2001 (Magna Cum Laude). He then continued to perform all over New England and Canada in pit bands, big bands, and also as a solo pianist. A Canadian native, Willow moved to Seattle in 2011 to pursue a music career and received his Master’s Degree in Film Scoring from the Pacific Northwest Film Scoring Program at the Seattle Film Institute. Willow also plays other brass instruments including euphonium (baritone), trumpet, and horn, and also plays organ, contemporary/jazz keyboards, mandolin, guitar, and has served as a vocal coach. He has taught private music lessons in his studio for the better part of 15 years and is also the Director of the Portland Youth Rock Orchestra.
When he is not practicing, teaching, listening to, or performing music, Willow enjoys traveling to new destinations, crosswords, cooking, music psychology, and coffee.
Electric Guitar, Acoustic Guitar, Electric Bass Guitar, 7-String & 8-String Guitar, Ukulele
Songwriting, Music Production, Music Theory
Josh Kain is a popular YouTube guitar personality with close to a million views. He has been on three US tours and has been in a number of successful bands including In All Honesty and Bella and The Blue Moons. From his body-building and martial-arts background, Josh always strives to perform at his peak and channels both mental and physical self-discipline to work toward lifelong excellence in all he does. He acts as a positive role model for kids and inspires all his students to do their very best. Josh loves all styles of music and believes that there are great musicians in all genres and styles that we can learn from.
Josh has been teaching for over seven years and covers many different styles of music including rock, metal, progressive, neoclassical, blues, punk, pop, and more. He specializes in teaching students a diverse arsenal of techniques such a multi-finger tapping, sweep picking, slap and percussive guitar, pinch harmonics, and other advanced rock and metal techniques. He also teaches 7-string and 8-string guitar, electric bass, and ukulele. Building the student’s lesson curriculum directly around their learning needs and interests, Josh strives to help the student have fun while learning, to become comfortable with their instrument with proper techniques, and helps them work toward their goals. Josh does all this while sneaking in important and relevant concepts including music theory!
Inspired by artists like Steve Vai, Edward Van Halen, Andy McKee, and Mike Batio, Josh has developed an original style of guitar playing and musicianship. Josh also sings lead and backup vocals, plays electric bass for a metal band called Bioplague, jazz bands and choirs, and played drums in drumline in school. Currently a solo artist and co-owner of Skye Rise recording studio, Josh is experienced in all stages of music production from pre-production sketches, mockups, and demos with Garageband up through final production and mixing with ProTools. Josh also composes and produces music to be licensed in tv shows, video games, commercials, and movies.
When he is not in the studio, Josh also enjoys body building, mixed martial arts, frisbee, video games, and building guitars.
Saxophone, Clarinet, Flute
Improvisation, Music Theory, Jazz Studies
A recent graduate of the University of Puget Sound School of Music, Brady McCowan is an ambitious saxophonist and woodwind player. Specializing in sax and clarinet, he is a member of several groups in the Tacoma area, performing regularly in a broad range of styles ranging from classical, jazz, and funk to progressive rock, folk, and experimental. Brady was selected as one of three winners of the University’s 2015 Concerto Aria competition, and performed Russell Peck’s "The Upward Stream" with the Puget Sound Symphony Orchestra. A member of the Puget Sound Saxophone Quartet throughout his time in college, Brady has competed nationally in the MTNA competition. He has also been featured several times as a soloist with the Puget Sound Jazz Orchestra, and performed demanding repertoire with the Puget Sound Wind Ensemble as its first chair saxophonist.
Born in Washington, D.C., Brady lives in Tacoma, but has also lived in Silver Spring, MD and St. Paul, MN. Brady has participated in extensive private study under saxophonists Morgan Russell, Jeff King, and Fred Winkler, and the enjoyment and inspiration brought to him by his instructors has instilled in him a desire to teach. His experience studying under diverse musical disciplines lends him an acute sense of stylistic awareness in himself and other musicians. In particular, his devotion to jazz, alongside his focused study of classical performance in college, has allowed him to develop a comprehensive concept of appropriate tone production and performance techniques, which he has extrapolated into other genres. As an educator, Brady encourages creativity and originality in developing musicians by honing their strengths and intuitions and collaboratively setting goals.
Brady spends most of his energy on music, finding joy in learning new instruments and refining his abilities on each. He has also performed on flute, bass clarinet, and auxiliary percussion, and is currently learning trombone. He loves to spend time with friends, cooking, retro gaming, thrift shopping, and biking around Tacoma when he is not playing music.
DR. KENDRA MCLEAN
Drum Set (Jazz, Latin, Rock), Snare Drum, Mallet Percussion (Marimba, Vibraphone, Xylophone), Orchestral Percussion (Timpani and more), Hand Drumming (Djembe, African Drums), Gyil (Ghanaian Xylophone), Steel Drums
Dr. Kendra McLean is an award-winning performer, clinician, and instructor of percussion in the Puget Sound region. Kendra specializes in drum set, orchestral and mallet percussion, steel drums, handing drumming, and traditional African percussion. She has performed with numerous professional orchestras including the Federal Way, Tucson, Phoenix, and Juneau symphonies and was the principal percussionist and timpanist for the Sierra Vista Symphony Orchestra in Arizona. Her recent concerts have included marimba duets with Seattle marimbist, Memmi Ochi, and solo performances at Western Washington University, Pacific Lutheran University, and University of Puget Sound. Kendra’s marimba work can heard in “Land” by Takatsugu Muramatsu.
Beginning her studies at Western Washington University, Kendra earned Bachelor of Musical Arts and continued to receive her Master of Musical Arts from Ohio University and currently holds a Doctorate of Musical Arts in Percussion Performance with a minor in Ethnomusicology from the University of Arizona. With her diverse background, Kendra also specializes in ethnic percussion, especially African percussion, having spent five weeks in Ghana studying traditional hand drumming and the "gyil" (Ghanaian xylophone). Kendra also performs on the steel drums and can be heard on the University of Arizona's UA Steel album "Panstraction”. She has traveled to Port of Spain, Trinidad for Panorama and Carnival. Kendra's instructors have included Norm Weinberg, Gary Cook, Robin Horn, Bill Wanser, Roger Braun, Guy Remonko, Patrick Roulet, Bernard Woma, and Keith Aleo. She has also studied conducting with David Wallace and John Climer.
Kendra has been teaching private music lessons for over 20 years and she is currently the co-chair of the Education Committee for the Washington Chapter of the Percussive Arts Society. Kendra has taught at Interlochen Arts Camp in Michigan as the All-State percussion instructor, New England Music Camp in Maine as a faculty member, the University of Rio Grande in Ohio as an affiliate faculty member, Ohio University and the University of Arizona as a Graduate Teaching Assistant, and within the Auburn and Tucson public schools as a percussion and music specialist.
Voice (Contemporary, Rock, Metal)
Songwriting, Music Production & Recording
Pamela Moore is a professional artist who has recorded on multi-platinum albums, toured extensively worldwide, and appeared on numerous music videos. She is best known for her role as "Sister Mary" in the progressive metal band Queensrÿche's platinum-selling album "Operation: Mindcrime". She is also a singer-songwriter and producer, mixing hard rock, pop, electronica, and in more recent years has delved into heavy metal music. Pamela's recently released solo album, "Resurrect Me", was acclaimed as one of the "Best Metal Albums of 2013" in numerous publications including Music Enthusiast Magazine, All About The Rock - UK, and Hair Metal Mansion. "Resurrect Me" is available now on iTunes and Amazon!
With this wealth of experience in the music industry, Pamela offers a unique insight to all aspects of the business, but especially voice training and stage performance. While living in New York, Pamela studied under the esteemed Ms. Guen Omeron. It was there Pamela learned a unique training approach using weights. This helped her immensely with strength and endurance as a singer and touring performer and she has adopted this method in teaching all her adult students whether they are amateur or professional. Pamela enjoys working one-on-one with novice or professional vocalists and customizes her lessons according to the individual's needs, focusing on improving vocal range, ear training, power, control, advanced techniques, and even songwriting skills. Her coaching style is relaxed and nurturing.
Pamela began singing and writing songs at a very young age and her passion has propelled her into one of the most respected female voices in the music industry today, being hailed as one of the "top 50 female voices in rock music today" (Classic Rock AOR Magazine) and called "a very gifted singer that moves the heart and soul" by Neil Schon of the band "Journey". She embraces the opportunity to give back what she has learned to a community who has supported her so generously. Pamela resides in Seattle and maintains an active international touring and recording schedule.
Voice (Opera, Musical Theater, Traditional), Violin
Faina Morozov, soprano, is an accomplished opera singer, having been featured on Classic King 98.1 FM’s program Northwest Focus Live, with the Seattle Sacred Music Foundation, and Russian Chamber Music Foundation of Seattle. Ms. Morozov has performed recitals and guest soloist work across the United States, Canada, Ukraine, and Mexico and continues an active performing schedule. In 2016, she will be recording her first album featuring art song works of the Ukrainian-American composer Eugene Masluk.
Faina is a graduate of the University of Washington School of Music with a Bachelor of Music in Vocal Performance degree. During her studies at UW, she performed in full opera productions where she sang as Gretel in “Hansel and Gretel” by Humperdinck and Olga in “Eugene Onegin” by Tchaikovsky. Her opera workshop roles have included Mimi from “La bohème” by Puccini, Cherubino from “The Marriage of Figaro” by Mozart, and The Mother from “The Consul” by Menotti.
One of Mrs. Morozov's passions is teaching, which has been doing for over seven years. She specializes teaching classical, opera, traditional, and musical theater styles of singing and coaches children and adults, both male and female voices. One of the most important topics of her teaching is focusing on proper technique and total control of one’s vocal “instrument”, while not straining or damaging the voice. Through special exercises training the voice and the teaching of foundational musical concepts and musicianship, Faina helps students develop important transferrable skills that are equally important in all genres of music, including pop, rock, jazz, and other contemporary styles. Faina has successfully coached vocalists interested in all styles of music, from classical to rock, both lead and backing vocals.
Ms. Morozov is very involved in her music ministry at her church and also plays and teaches violin. Faina is fluent in Russian and Ukrainian and comes from a very musical family, both she and her husband being professional musicians.
Piano, Keyboard, Clarinet
Composition, Songwriting, Music Production & Recording, Film & Video Game Scoring, Music Theory
Acclaimed as “creative, responsive, and highly professional” (Joseph Baum, director), Katya Soudek has a diverse musical background which allows her to expertly compose music in a variety of styles. Writing for both the concert stage and film, TV, and interactive media, her music is known for providing a strong dramatic narrative. Especially when paired with film, her music truly “compliments and draws out the emotions needed to make the scenes complete” (Wade Chitwood, director).
Katya is a classical pianist and has composed, orchestrated, and conducted symphonic pieces for ensembles such as a 50-piece orchestra, including members of the Seattle Symphony and Northwest Sinfonietta. She is also a keyboard and synthesizer aficionado, producing contemporary music in styles such as rock and electronic. Her experience with traditional classical repertoire, combined with extensive knowledge of film and video game music, and familiarity other contemporary styles gives Katya a skilled, unique, and modern approach not only in composition, but also in performance and in teaching.
Katya was born in the United States shortly after her parents immigrated from Czechoslovakia. Katya's earliest musical endeavors began with her playing video game and film score music by ear on a small keyboard. This led to her first formal musical studies with clarinet, an instrument which Katya would later perform on with groups such as the Tacoma Youth Symphony Organization. After discovering classical music and being inspired by composers such as Beethoven, Rachmaninoff, Gershwin, Bach, and John Williams, Katya began to study classical piano at age 12. In high school, Katya received honors in statewide competitions for piano was accepted to the Seattle Conservatory of Music pre-college academic program where she advanced her studies in piano and composition with renowned concert pianist Mark Salman. She went on to receive a Bachelor of Music Composition from the University of Washington and continued to the Pacific Northwest Film Scoring Program where she received a Master of Music in Film Scoring from two-time Emmy Award-winning film composer, Hummie Mann.
Currently, Katya produces music for film and video games and also performs as keyboardist, lead songwriter, and producer for her original progressive rock project. She has run a successful and growing private music lesson studio in the greater Seattle-Tacoma area for over 10 years. In her spare time, Katya is an avid gamer and collector of retro video games, is always following the latest technology and science news, enjoys nature and spending time with her dog, and maintains an active lifestyle by riding motorcycles and exercising.
DEBBY BOLAND WATT
Voice (Jazz, Contemporary, Musical Theater, Traditional), Piano (Beginning)
Improvisation, Songwriting, Music Production & Recording, Choral Directing, Special Needs Education
A strong vocalist, improvisational performance artist, and master teacher, Debby Boland Watt’s unique musical vision embraces a variety of styles including jazz, free improvisation, folk, spiritual, pop, blues, a cappella circle singing, spoken word, and poetics. A current Seattle-area performer recently featured in the Seattle Times, Ms. Watt is becoming the area's best-known facilitator and clinician for improvisational voice and circle singing.
Debby has performed with 10-time Grammy Award-winning artist Bobby McFerrin (“Don’t Worry, Be Happy”), Rhiannon, The Boston Pops, Tacoma Symphony Choir, Julian Priester, and other notable acts. She has studied with Pauline Oliveros, Meredith Monk and Ensemble, Kurt Elling, Greta Matassa, Jay Clayton, Dee Daniels, Madeline Eastman, and Nancy King. Josh Rawlings of Seattle band Industrial Revelation has said: “Debby may quite possibly be the female Bobby McFerrin of Seattle! Her singing is reminiscent of Jay Clayton, Bobby McFerrin, and other true pioneers of vocal improvisation and singing. Debby is a full meal deal vocalist and unafraid to explore her instrument...in Jazz and beyond."
Her lessons focus on creative vocal techniques for students of every age, connecting students to their vocal goals and dreams. She has successfully prepared students for auditions at Seattle's Paramount Theatre as well as Seattle Children's Theatre, Issaquah Village Theatre, Youth Theatre Northwest, Island Choral Experience, Studio East, area schools, and more. With over 12 years of experience as a para-educator for special needs students, Debby enjoys working in collaboration with students from all backgrounds, to help them to discover and grow their unique instrument and to open the singer to their true potential in the most creative, enriching, and fun way possible.
Ms. Watt’s journey began in Chicago, eventually settling in Washington State where she started her classical vocal training at Western Washington State University. After several years she moved to California joining music groups that toured across the lower 48 states, Alaska, Canada, and Western Europe. For the next 35 years, she has worked as a vocal performer, choral director, studio musician, and teacher. Debby earned the degree of Masters of Fine Arts in Interdisciplinary Arts while studying improvisation and composition at Goddard College after having graduated from Seattle’s Cornish College of the Arts with a Bachelors of Music in Vocal Jazz. Currently, Watt performs with the Northwest's premier a cappella vocal-improv trio called Medicine Truck.
Piano, Voice (Contemporary, Musical Theater, Traditional)
Amy Weitz has been a private piano and voice Instructor for over 20 years, teaching students who range from ages four to adult. From the person who wants to learn how to play the piano or sing on tune, to the student who is preparing for their upcoming school musical or writing their first songs, Amy works with a wide range of people in the studio.
In addition to being a private music instructor, Amy has also been a public school teacher for the past 18 years. Starting out as a kindergarten teacher and then moving into a music specialist position, Amy has had the privilege to work with kids of all ages in general music classes, choirs, and musicals. She received her Bachelors Degrees in Elementary Education and Choral Music from Central Washington University and went on to receive a Masters Degree in Creative Arts in Education. Amy also has an endorsement in teaching English as a second language, specializing in teaching people who are not fluent in English.
Currently an elementary music specialist in the Federal Way School District, Amy is an active member of the Washington Music Educators Conference, American Orff Schulwerk Association, American Choral Directors Association, and enjoys attending conferences and workshops which aid in her growth as an educator. It is her belief that a great teacher is always learning.